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    <lastmod>2024-02-21</lastmod>
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      <image:title>Blog - 2023 Year in Review: Lefferts Historic House (Brooklyn, NY) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - 2023 Year in Review: Lefferts Historic House (Brooklyn, NY) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - 2023 Year in Review: Lefferts Historic House (Brooklyn, NY) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - 2023 Year in Review: Lefferts Historic House (Brooklyn, NY) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <lastmod>2024-02-21</lastmod>
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      <image:title>Blog - 2023 Year-End Review:  South Side Community Art Center (Chicago) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - 2023 Year-End Review:  South Side Community Art Center (Chicago) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - 2023 Year-End Review:  South Side Community Art Center (Chicago) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - 2023 Year-End Review:  South Side Community Art Center (Chicago) - Make it stand out</image:title>
      <image:caption>Weeks after returning to NYC from visiting Chicago for the mothball and stabilization of SSCAC’s Coach House, kennedy saw an exhibit at the New York Public Library’s flagship location, the Stephen A. Schwarzman Building. The exhibit featured SSCAC and Harlem Renaissance artist/sculptor August Savage and her “Lift Every Voice and Sing” (“The Harp”). Ms. Savage made “The Harp” for the 1939 New York World’s Fair, hosted in Flushing Meadows of Queens, NY.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - 2023 Year-End Review:  South Side Community Art Center (Chicago) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://wrkshapkilowatt.com/blog/2023-year-in-review-shiloh-baptist-church</loc>
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    <lastmod>2024-01-31</lastmod>
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      <image:title>Blog - 2023 Year-End Review: Shiloh Baptist Church (Tarrytown, NY) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://wrkshapkilowatt.com/blog/dailyrepairations1-yjsjk</loc>
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    <lastmod>2023-09-14</lastmod>
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      <image:title>Blog - Daily REPairations No. 2: Pay Black People — Speaking Engagements - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - Daily REPairations No. 2: Pay Black People — Speaking Engagements - Make it stand out</image:title>
      <image:caption>k. kennedy Whiters, AIA, presenting at the 2023 DOCOMOMO US National Symposium in Hotel Marcel. Shown on the slide is a photo of June Jordan.</image:caption>
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      <image:title>Blog - Daily REPairations No. 2: Pay Black People — Speaking Engagements - Make it stand out</image:title>
      <image:caption>Recorded DOCOMOMO US National Symposium Sessions on Vimeo.</image:caption>
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    <loc>https://wrkshapkilowatt.com/blog/black-history-month-an-opportunity-to-unredact-the-facts</loc>
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    <lastmod>2023-03-02</lastmod>
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      <image:title>Blog - Black History Month - an Opportunity to (un)Redact the Facts - Make it stand out</image:title>
      <image:caption>Beyond Integrity in (X) Conference poster (2021)</image:caption>
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      <image:title>Blog - Black History Month - an Opportunity to (un)Redact the Facts - Make it stand out</image:title>
      <image:caption>Cover image for the Call to Action and post from @unRedacTheFacts’ Instagram Account (2021)</image:caption>
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      <image:title>Blog - Black History Month - an Opportunity to (un)Redact the Facts - Make it stand out</image:title>
      <image:caption>Screenshot of the National Memorial for Peace and Justice page from MASS Design’s website (Feb. 1, 2023).</image:caption>
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      <image:title>Blog - Black History Month - an Opportunity to (un)Redact the Facts - Make it stand out</image:title>
      <image:caption>Redacted BINGO card infographic (Jan. 31, 2023)</image:caption>
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      <image:title>Blog - Black History Month - an Opportunity to (un)Redact the Facts - Make it stand out</image:title>
      <image:caption>Tweet from the Robert Wood Johnson Foundation, announcing the new illustration (Dec. 6, 2022)</image:caption>
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    <loc>https://wrkshapkilowatt.com/blog/wrkshp-kilowatts-update-for-february-2023</loc>
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    <priority>0.5</priority>
    <lastmod>2023-02-06</lastmod>
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    <loc>https://wrkshapkilowatt.com/blog/catch-up-on-wrkshp-kilowatts-activities-since-2021</loc>
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    <lastmod>2022-12-28</lastmod>
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    <loc>https://wrkshapkilowatt.com/blog/dailyrepairations1</loc>
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    <lastmod>2023-09-14</lastmod>
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  <url>
    <loc>https://wrkshapkilowatt.com/blog/your-home-on-the-national-register-of-historic-places-myths-and-facts-a-commentary-on-the-forbes-article</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-06</lastmod>
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      <image:title>Blog - "Your Home on the National Register of Historic Places: Myths and Facts"​: a Commentary on the Forbes Article</image:title>
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  <url>
    <loc>https://wrkshapkilowatt.com/blog/tales-from-the-lp-ej9az-9mzx6</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-01-22</lastmod>
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      <image:title>Blog - Tales of the LPC v.12Jan2021 - Landmarks Preservation Commissions are an extension of our government. Therefore, they must follow a set of rules. In NYC, what are their rules and how did they come to be?</image:title>
      <image:caption>Read more about them on LPC’s website here. If you want a deep dive into the full text of the 1965 Landmarks Law, Title 25, Chapter 3 of the New York City Administrative Code, click here. And, this website celebrates the 50th anniversary of the 1965 Law. Note: There is debated history about the origin story of the 1965 NYC Landmarks Preservation Law. Listen to one of my favorite podcasts, The Bowery Boys, discuss this topic here.</image:caption>
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      <image:title>Blog - Tales of the LPC v.12Jan2021</image:title>
      <image:caption>And, I want to thank you for giving meeee the best daaay of my life. [Affordable Housing &amp; Landmarks - an Odd Couple? (continued)] Thank you Dido … and thank you to the Landmark Commission’s Chair for grounding the Commissioner’s discussion about the proposed application to build two new buildings in the South Street Seaport Historic District (1977 designation) - 250 Water Street and 89 South Water Street. In a previous hearing for the same proposals, the Commission approved an 11-story building - today’s presentation was of a shorter, four-story proposal as a comparison of the zoning envelope of the historic district. In a prepared statement, the Chair set the parameters of the discussion, based on the City Ordinance which governs how the Landmarks Commission will function - the 1965 Landmark Law. Per the parameters of the Law, they are not allowed to consider or rely on factors of a project such as affordable housing to determine the appropriateness of a proposed design in a historic district. She even delved into the definition of appropriateness and how the Law defines this - there is no right answer for what is “appropriate”. “Appropriateness is a continuum.” This statement was proper framing. As she states in her conclusion, the Commissioners’ comments will not only benefit their fellow colleagues and the owner but, and this made the most impact to me, that it would benefit the general public, us, who watch these proceedings. In essence, these proceedings are a free education in civics, we get to see our government, its rules and regulations at work in real-time. It was good to hear government officials clearly state their responsibility to the public. In their deliberation, a Commissioner raised an interesting point about “appropriateness” and the inclusion of affordable housing in proposals, in reviewing applications for Certificates of Appropriateness (CofA). She asked, “Are criteria for appropriateness contingent upon the proposed project’s benefit to the public?” Yes, the proposed project would bring a tall building to this historic district. However, it would be a tall building that would bring affordable housing that would meet the present need of the neighborhood, a la the discussion held at the end of the Oct. 27th hearing (see the previous blog).</image:caption>
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      <image:title>Blog - Tales of the LPC v.12Jan2021</image:title>
      <image:caption>Should the Commission be lenient on different aspects of a proposed project based on the context of the project? Isn’t that the main ask of any urban infill in a historic district - that it be responsive to its surrounding context? That it should respond to the existing language, the rhythm, the patterns, both tangible and intangible? The intangible, being social needs like affordable housing? Interestingly, words inscribed on the Thomas Jefferson Memorial in Washington DC, spoken by the former president and slaveholder, speak to this very topic that is so relevant in historic preservation - for legislation, like the legislation and ordinances that governs historic preservation, to evolve with the times:</image:caption>
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      <image:title>Blog - Tales of the LPC v.12Jan2021</image:title>
      <image:caption>“I am not an advocate for frequent changes in laws and institutions must go hand in hand with the progress of the human mind. As that becomes more developed, more enlightened, as new discoveries are made, new truths discovered and manners and opinions change, with the change of circumstances, institutions must advance also to keep pace with the times. We might as well require a man to wear still the coat which fitted him when a boy as civilized society to remain ever under the regimen of their barbarous ancestors.” (Some self-reflection at the end by President Jefferson?) Another Commissioner noted the need for neutrality on topics like affordable housing because these are financial considerations for a project and the Landmarks Commission is supposed to be financially neutral - immune to the effects of financial gains of real estate development. A key reminder in these proceedings. Watch the hearing on 89 South Street and 250 South Street here.</image:caption>
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      <image:title>Blog - Tales of the LPC v.12Jan2021</image:title>
      <image:caption>Up on the roooof … Up on the roooof. That’s where we were for two of the hearings. But first, sway away and sing along with The Drifters. Building codes regulate new construction and renovations for the health, safety, and welfare of all. These regulations include those for what the NYC Building Code calls “Rooftop Structures” in Chapter 15 of the NYC Building Code (2014), i.e., bulkheads and penthouses. A penthouse is a common term, but a bulkhead? What is a bulkhead? Depending on where it is, such as a tidal wetland, hello to the environmental conservationists in the room, or in the case of construction, in a building, it has a slightly different meaning. But, when it is a rooftop structure, the NYC Building Code defines a “Bulkhead” as: “An enclosed rooftop structure not intended for human occupancy shall not be used for purposes other than shelter of mechanical equipment or shelter of vertical shaft openings in the roof. Provisions, such as louvers, louver blades or flashing, shall be made to protect the mechanical equipment and the building interior from the elements.” (Section 1509.2.3 Bulkheads) Even though the code does not require a mockup of the bulkhead, the LPC can choose to table a decision on a rooftop addition hearing and request the applicant return with a physical mockup for further deliberation. I have also observed the LPC add a provision to their approval of a CofA that the applicant provide a physical mock-up of their rooftop addition. What was remarkable about both hearings was the effort taken to do in situ mockups, “up on the roofs”. It was unclear if this was in response to revisions made at a previous hearing or if the Landmarks staff advised them to make a mockup prior to their hearing. There are two ways to do a mockup: (1) in situ or (2) digitally. Both have their pros and cons, an obvious con being cost for Option 1, yet the benefit of Option 1 is that the margin of error of mocking up conditions for the actual construction become minimal because the team is on-site, thinking through how to build the bulkhead together. Plus, it adds a level of integrity to the LPC’s approval or revocation of a CofA. The images for this section are of 163 Bond Street in Brooklyn by Sarah Jacoby Architect. Watch the hearing here.</image:caption>
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      <image:title>Blog - Tales of the LPC v.12Jan2021</image:title>
      <image:caption>Who can I run to, when I need love? For the Merchant’s House Museum, it can answer The Jones Sisters with a resounding 90 or so people and organizations, for that was the number of viewers who were watching between YouTube and Zoom, during this final hearing, on an early Tuesday evening. The concern of perhaps most of the viewers was the potential damage to Merchant’s as a result of the proposed construction of a multi-story office building, adjacent to the 189-year old NYC and National Landmark. It received the NYC landmark status for its interiors and exterior in the inaugural year of the NYC Landmarks Law of 1965.</image:caption>
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      <image:title>Blog - Tales of the LPC v.12Jan2021 - Not only are the windows notable attention to the historic language in the district - the team presented a zipper brick pattern at each corner. Zipper brick pattern is a way to turn the corner of an exterior masonry wall and it differentiates between two different types of masonry. The structural engineer presented a monitoring and protection plan that they said was based on their understanding of the site. Proposed monitoring includes: displacement monitoring, crack monitoring, tilt monitoring, vibration monitoring, and pre-construction survey.</image:title>
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      <image:title>Blog - Tales of the LPC v.12Jan2021 - Analysis of proposed construction to Merchant’s House dates back to as early as 2012, as the structural engineer noted their baseline vibration monitoring that occurred June 2012 - March 2013. Interestingly, the baseline stated that Merchant’s House experiences natural, ambient vibrations that would cause the design team to issue stop-work orders. Also interesting to note is that modern, tall buildings have structural systems in place like rollers, to control for naturally occurring movement of a windy day. Ask me about my experience working in one of the top floors of the 62-story Seattle Municipal Tower, it sways, it moves! Because the internal structure of 27 East 4th Street will be steel, this steel will bear all of the live or moveable load and dead load or things like office furniture from the building. Therefore, because of this structural design, the engineers predict that the masonry wall of the proposed design that abuts the Merchant’s House Museum masonry wall will place minimal if any, force on Merchant’s exterior wall or compromise its structural integrity.</image:title>
      <image:caption>Images at left from BKSK’s Jan. 12 presentation, available on the NYC LPC site.</image:caption>
    </image:image>
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    <loc>https://wrkshapkilowatt.com/blog/tales-from-the-lp-ej9az</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2021-02-15</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fa361427463a561764b8625/1605314872986-UNUZ60ELOIV9K7QJH2CQ/Screen+Shot+2020-11-13+at+7.47.28+PM.png</image:loc>
      <image:title>Blog - Tales of the LPC v.27Oct2020 - A Landmarks Preservation Commission</image:title>
      <image:caption>What is a preservation commission? A quasi-judicial branch of your local government. How does one become a member? Typically, the mayor or county official appoints the members, sometimes seven, sometimes nine. If you’re interested in participating, keep a look out for announcements in locations such as city/county job postings, their social media. Members tend to be architects, engineers, urban planners, contractors. Some have positions specifically for young professionals. What are their primary duties? They hold public hearings to do the following: Landmark. Designate a building, structure, landscape in your city/county/etc. as a city/county landmark. Please note: landmarking does not save a building from demolition. Certificate of Appropriateness. Approve changes to said landmark via a document called a Certificate of Appropriateness. Most jurisdictions require this CoA for a building permit which they require for a variety of construction. How do they evaluate properties for landmark status or for CoAs? Since they are quasi-judicial, their evaluation criteria is from the rules and bylaws of the city/county/government. Most incorporate the Secretary of the Interior’s Standards for the Treatment of Historic Properties, written by the National Park Service.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fa361427463a561764b8625/1605311253759-FN896X7VIFWX8XPIGI1S/Screen+Shot+2020-10-27+at+10.02.28+AM.png</image:loc>
      <image:title>Blog - Tales of the LPC v.27Oct2020</image:title>
      <image:caption>Is it Worth It, Worth Saving? Thank you Missy Elliott … Public meetings / design charrettes survey the public on their thoughts on proposed changes in their neighborhoods / boroughs such as renovations to their local courthouse plaza. In these meetings, how much detail do the presenters (sometimes local government, sometimes architects/planners, sometimes both) give the public about the history of the place? What do they include? What do they omit? How does the selection of history affect the public’s buy-in to change? Case in point, item one on the docket, NY State Supreme Court House in Queens. The planned renovation of the brick plaza in front of the Neoclassical or Beaux Arts national landmark, built 1874 and remodeled in 1904, involves the demolition of the existing fountain. To keep or not to keep the fountain was a central point of deliberation by LPC. Difficulty in maintaining the fountain is the rationale that Parks gave for not including it in the new grass-filled plaza. Watch the hearing by clicking here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fa361427463a561764b8625/1605312718978-ZB0K2OCEBN6AD57T4V68/Screen%2BShot%2B2020-11-13%2Bat%2B7.09.10%2BPM.jpg</image:loc>
      <image:title>Blog - Tales of the LPC v.27Oct2020</image:title>
      <image:caption>Windows, aka “the Eyes of a Building’s Soul”, Replacement. The number of hearings the LPC reviews that are solely about windows or where windows are a component of the overall renovation is quite a few. I counted about three out of eight total hearings where renovations featured windows. Of note was the replacement of 10-year old Marvin Ultimate replacement windows. The owner proposed replacing the windows because of air leakage and energy performance issues, as stated by the architect. Watch the hearing here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fa361427463a561764b8625/1605311670107-6IRC85G79TQLZ19JCKLG/Screen+Shot+2020-11-13+at+6.52.16+PM.png</image:loc>
      <image:title>Blog - Tales of the LPC v.27Oct2020</image:title>
      <image:caption>Oh, how do you solve a problem like existing woooood doooors? Not so much a “problem,” by catchy a la The Sound of Music ... Well, the architects and team at Spacesmith added a pocket on either side of the existing frame at 706 Madison Ave, Manhattan - so creative, so impressive, SO COOL! With this ingenious approach, they respond to a critique from a previous hearing to keep the existing exterior doors and the new full-glass doors, by sliding the existing doors into the pockets at night when the employees secure the store at night. Preservation is a compromise and in this case, it was at a minimum impact to existing components. Watch the hearing by clicking here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fa361427463a561764b8625/1605312158349-JOQ52WZ4OFX0VS59GFDM/Screen+Shot+2020-11-13+at+7.01.16+PM.png</image:loc>
      <image:title>Blog - Tales of the LPC v.27Oct2020</image:title>
      <image:caption>Affordable Housing &amp; Landmarks - an Odd Couple? The LPC day of deliberations concluded with what one Commissioner phrased as a “delicious problem” - the construction of affordable housing next to a historic church. The congregation at St. James Church Fordham in the Bronx plan to capitalize on their adjacent tree-filled lot by developing it into affordable housing. The proposed plan would bring a nine-story, multi-family building adjacent to the one-story, landmark church. The building would be one of the, if not the tallest building in the borough at its time of completion. Thus, the Commissioners discussed reducing the height above the adjacent breezeway, in an attempt to not overwhelm the modest landmark. Their suggestion: Remove 10 units above the breezeway* for historic preservation, thus creating a large buffer between the landmark and the new multi-family tower. *Note: The breezeway is a buffer at the sidewalk level that is acceptable to the Commissioners.</image:caption>
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      <image:title>Blog - Tales of the LPC v.27Oct2020</image:title>
      <image:caption>The 10 units above the breezeway in question are in the dashed rectangle, added for clarification.</image:caption>
    </image:image>
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